An Essay Upon Prints: Containing Remarks Upon The Principles Of Picturesque Beauty; The Different Kinds Of Prints; And The Characters Of The Most Noted Masters: ... Second Edition

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library T094039 Anonymous. By William Gilpin. With an index. London: printed by G. Scott, for J. Robson, 1768. xii, [2],246, [12]p.; 8?9781385355442

• • Author: WILLIAM. GILPIN
• • Publisher: Gale Ecco, Print Editions
• • Publication Date: Apr 23, 2018
• • Number of Pages: 270 pages
• • Language: English
• • Binding: Hardcover
• • ISBN-10: 1385355441
• • ISBN-13: 9781385355442